Resume

TRAININGRESUMEPROJECT LINKS

Training

Class School Instructor
Cinematography Art Institute – Sacramento Jay Truesdale
Advanced Cinematography Art Institute – Sacramento Jay Truesdale
Directing & Producing Art Institute – Sacramento John Mounier
Feature Film Lighting Global Cinematography Insitute Vilmos Zsigmond, ASC
Advanced Feature Film Lighting Global Cinematography Insitute Vilmos Zsigmond, ASC
Virtual Cinematography Global Cinematography Insitute Ron Fisher & Kyle Murphey
Lighting & Composition Global Cinematography Insitute Yuri Neyman, ASC
Advanced Lighting & Composition Global Cinematography Insitute Yuri Neyman, ASC
Advanced Lighting Global Cinematography Insitute Dean Cundey, ASC
Advanced Lighting for Independent Films Global Cinematography Insitute Suki Medencevic, ASC
Cinematography for Video Games Global Cinematography Insitute Sylvain Doreau
Cinematography for Visual Effects Global Cinematography Insitute David Stump, ASC & Mark Sawicki
Image Management Global Cinematography Insitute Bob Kertesz & Aaron Peak
Previsulization Global Cinematography Insitute Brian Pohl

* Received Special Merit in Lighting and Composition from GCI
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Projects

Zeitgeist ArtWorks
Project Role Director
Spofford Alley * Cinematographer Vadanak Ke
Emma’s Oreo Cinematographer Myself
Rondo Cinematographer Ian Webb
Scraps Cinematographer Imani C. Davis
Art Institute of California – Sacramento
Project Role Director
Salome (trailer) Cinematographer Khimberly Marshall
Yamek Dire Cinematographer Shawna Smith
Without * Cinematographer Myself
What You Can’t Have * Cinematographer Rachel Voter
Long Way Down Cinematographer Jonathan Houghton
Crane Cinematographer Rachel Voter
Other
Project Role Director
The Lernon Channel (Web Pilot) 1st AC Adam Bearson
Zero (The Board Game) Camera B Operator Bill Bayne (Coyote Films)
Magic Fashion Show Cam B Op/Crane Op Bill Bayne (Coyote Films)
Armstrong Action Camera Operator & Crane Operator Doug Stanley, SOC (Ridgeline Ent.)
Bringing It Home Ep. 3.23 Camera Operator Daniel Moznett (M Entertainment)
Bringing It Home Ep. 3.24 Camera Operator Daniel Moznett (M Entertainment)
Bringing It Home Ep. 3.25 Camera Op/Steadicam Daniel Moznett (M Entertainment)
Bringing It Home Ep. 3.26 Camera Op/Steadicam Daniel Moznett (M Entertainment)
Child’s Play Gaffer Rich Ehison
Dark Pool Ep 10 Crane Operator Rich Malmberg (Iron Mountain Films)
Lexus Big Sur Food & Wine Camera Operator Daniel Moznett (M Entertainment)
This Side of Glory Director of Photography John Mounier
Cake Concert Camera Operator Heidi Boucher
Sandie & Stevie and the Rainbow Forest Cinematographer Stevie Morgan
N-4LIFE (N-Men Documentary) Cinematographer (NCal) James Sweigart

* Denotes Award Winning

Skills:

Aaron has worked with the following camera systems and gear:

RED:  ONE, Scarlett, Epic, Dragon, Weapon
Arri: Alexa, Amira, Alexa Mini
Panasonic:  HVX200, HVX 250, HPX300, HPX370
SONY:  PMW-EX1, PMW-EX3, PMW-F3, PMW-F5/F55, PDW-350, PMW-200, PXW-X200, F65
Canon:  7D, 5DmkII, 5DmkIII, C300, C500
Black Magic Cinema Camera and other digital formats not mentioned.

Camera Crane, 15′, 30′
Glidecam Stabilizer Systems


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Project Links

Spofford Alley
GT-R Slow Motion
Emma’s Oreo
Yamek Dire
Without
Scraps
What You Can’t Have
Long Way Down
Crane
Been A Long Time (Music Video)
Missed Prayers

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