Cinematography
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TRAINING – RESUME – PROJECT LINKS
Training
Class | School | Instructor |
---|---|---|
Cinematography | Art Institute – Sacramento | Jay Truesdale |
Advanced Cinematography | Art Institute – Sacramento | Jay Truesdale |
Directing & Producing | Art Institute – Sacramento | John Mounier |
Feature Film Lighting | Global Cinematography Insitute | Vilmos Zsigmond, ASC |
Advanced Feature Film Lighting | Global Cinematography Insitute | Vilmos Zsigmond, ASC |
Virtual Cinematography | Global Cinematography Insitute | Ron Fisher & Kyle Murphey |
Lighting & Composition | Global Cinematography Insitute | Yuri Neyman, ASC |
Advanced Lighting & Composition | Global Cinematography Insitute | Yuri Neyman, ASC |
Advanced Lighting | Global Cinematography Insitute | Dean Cundey, ASC |
Advanced Lighting for Independent Films | Global Cinematography Insitute | Suki Medencevic, ASC |
Cinematography for Video Games | Global Cinematography Insitute | Sylvain Doreau |
Cinematography for Visual Effects | Global Cinematography Insitute | David Stump, ASC & Mark Sawicki |
Image Management | Global Cinematography Insitute | Bob Kertesz & Aaron Peak |
Previsulization | Global Cinematography Insitute | Brian Pohl |
* Received Special Merit in Lighting and Composition from GCI
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Projects
Project | Role | Director |
---|---|---|
Spofford Alley * | Cinematographer | Vadanak Ke |
Emma’s Oreo | Cinematographer | Myself |
Rondo | Cinematographer | Ian Webb |
Scraps | Cinematographer | Imani C. Davis |
Project | Role | Director |
---|---|---|
Salome (trailer) | Cinematographer | Khimberly Marshall |
Yamek Dire | Cinematographer | Shawna Smith |
Without * | Cinematographer | Myself |
What You Can’t Have * | Cinematographer | Rachel Voter |
Long Way Down | Cinematographer | Jonathan Houghton |
Crane | Cinematographer | Rachel Voter |
Project | Role | Director |
---|---|---|
The Lernon Channel (Web Pilot) | 1st AC | Adam Bearson |
Zero (The Board Game) | Camera B Operator | Bill Bayne (Coyote Films) |
Magic Fashion Show | Cam B Op/Crane Op | Bill Bayne (Coyote Films) |
Armstrong Action | Camera Operator & Crane Operator | Doug Stanley, SOC (Ridgeline Ent.) |
Bringing It Home Ep. 3.23 | Camera Operator | Daniel Moznett (M Entertainment) |
Bringing It Home Ep. 3.24 | Camera Operator | Daniel Moznett (M Entertainment) |
Bringing It Home Ep. 3.25 | Camera Op/Steadicam | Daniel Moznett (M Entertainment) |
Bringing It Home Ep. 3.26 | Camera Op/Steadicam | Daniel Moznett (M Entertainment) |
Child’s Play | Gaffer | Rich Ehison |
Dark Pool Ep 10 | Crane Operator | Rich Malmberg (Iron Mountain Films) |
Lexus Big Sur Food & Wine | Camera Operator | Daniel Moznett (M Entertainment) |
This Side of Glory | Director of Photography | John Mounier |
Cake Concert | Camera Operator | Heidi Boucher |
Sandie & Stevie and the Rainbow Forest | Cinematographer | Stevie Morgan |
N-4LIFE (N-Men Documentary) | Cinematographer (NCal) | James Sweigart |
Missed Prayers | Cinematographer | Sean Stueve |
Silver Man Part | Cinematographer | Leslie M. Levy |
Murderer on the Loose Leaf | Cinematographer | Mari Patterson |
Tiger Balm 2018 | Cinematographer | Emily Ko |
Been Waiting | Cinematographer | Jade Acosta |
Knight Righters | Cinematographer | Katrina Brox |
Hope | Cinematographer | George Hope |
Freshman Year * | Cinematographer | Jude Johnson |
Haymaker | Cinematographer | Robert Beaumont |
A One-Sided Affair | Cinematographer | Tom Maduell |
* Denotes Award Winning
Skills:
Aaron has worked with the following camera systems and gear:
RED: ONE, Scarlett, Epic, Dragon, Weapon
Arri: Alexa, Amira, Alexa Mini
Panasonic: HVX200, HVX 250, HPX300, HPX370
SONY: PMW-EX1, PMW-EX3, PMW-F3, PMW-F5/F55, PDW-350, PMW-200, PXW-X200, F65
Canon: 7D, 5DmkII, 5DmkIII, C300, C500
Black Magic Cinema Camera and other digital formats not mentioned.
Camera Crane, 15′, 30′
Glidecam Stabilizer Systems
Project Links
Spofford Alley
GT-R Slow Motion
Emma’s Oreo
Yamek Dire
Without
Scraps
What You Can’t Have
Long Way Down
Crane
Been A Long Time (Music Video)
Missed Prayers